Assembly Edit – August 2013

News!
I have Assembly Edits of each section of this film completed.
What’s an Assembly Edit? Well, it’s the sequence of clips I intend to use, assembled in the order I intend to use them.
This is a major milestone in the development of this project. After weeks (months) of logging footage, marking transcripts and moving pieces of cut up paper around, I finally have something that resembles a film. Albeit without any supporting images, footage or graphics but it’s still possible to watch it, rather than imagine it. As it’s been up until this point.

News 2!
Yes, I said ‘each section’ up there.
My original plan was to make a film that served as a portrait of Frith Street Tattoo as it stands today. It seems I made four films.
While organising footage and making notes I wanted to divide the film into four subject areas to make it easier to watch. After I assembled the footage, weeding out extra repetition and less interesting parts, I was left with enough useable footage to make 4 films each at least 20 – 40 minutes each. I hope you lot have the stamina to sit through them all. Each one has a different feel and flavour.

Here’s a run-down of the working titles:

Part One: A Film for All and None
This film centres around the Frith Street Godfather, Dante (Danny) and the family atmosphere of the shop.

Part Two: The World is Watching
This one highlights the position of Frith Street Tattoo in the world of tattooing as a whole and the responsibility that entails.

Part Three: Standing on the Shoulders of Giants
A film about the direct lineage of Frith Street Tattoo and the tattooers and people who allowed us to be where we are.

Part Four: We Never Sleep
(my favourite section so far – I’m really pleased with the way this one came together)
This film spotlights the work and effort that goes into striving to make each tattoo better than the last and the results of that effort.

I never planned to sell this project but because it’s turned out to be way bigger than originally intended (and thought possible) I’m considering various forms of distribution. My favourite at the moment is to have each section free for a limited time, then offer high quality downloads or a DVD compilation with tons of extra footage that just didn’t fit with the themes of the films.

Right now I’m working on a trailer for the series. As soon as it’s finished I’ll post it here and on Youtube.

In the meantime you can check out some behind-the-scenes photos of how I got to the assembly edits.

Marking the Transcripts:
This took a hell of a lot longer than I originally expected.
I had a huge folder of transcripts to wade through. Each colour pen pertains to a different theme. Yellow – Part One, Pink – Part Two, Green – Part Three and Blue – Part Four.
PaperEdit_July2013_01PaperEdit_July2013_05

Logging the marked transcripts in the edit software:
Each marked section is given a number. In the edit software, I select the same range and give it the same number.
PaperEdit_July2013_06  PaperEdit_July2013_08 PaperEdit_July2013_03 PaperEdit_July2013_04  PaperEdit_July2013_02

Arranging the Paper Edit:
After numbering each marked clip I could cut out the marked sections of transcript and begin to arrange them into sub-categories.
Some are for the intro to each section, some for the middle, end, etc.
Then I can start moving them around and deciding how the narrative flows. Once I’ve arranged each section, I paste them onto sheets of paper. These sheets serve as a ‘script’ to the film.
 PaperEdit_July2013_10 PaperEdit_July2013_11 paper_edit_august_6 paper_edit_august_5 paper_edit_august_2 paper_edit_august_3paper_edit_august_4

Then it was a matter of finding the numbered clips in the edit software and placing them on a timeline according to my paper edit.
Now comes part where I re-arrange things a thousand times and make transitions and edits smoother, add photos and supporting footage than I’ll be ready to show a rough cut to friends and family for them to review.

Keep your eyes peeled for the trailer.

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